Friday 26 December 2014

Exhibition | Curating Lab: Phase 03

Opening night: 
Thursday, 8 January 2015, 7pm

Free admission with registration. 
To register, please email


Exhibition period: 9 January - 8 February 2015
Venue: Lee Kong Chian Temp Gallery, NUS Museum 

Curating Lab: Phase 03 presents three exhibitions put together by participants of Curating Lab 2014 working with a selection of artists: Song-Ming Ang, Chun Kaifeng, Amanda Heng, Kim Lim, Matthew Ngui and Shubigi Rao. Situated in tandem with one another, the exhibitions may be seen as a constellation of divergent views and curatorial interests glimpsed from the works and practices of these six artists. Building upon the potentials of multiple perspectives that these three exhibitions point towards is also the very porousness of exhibitions themselves in facilitating such encounters between one another.
Conditions of Production is an ongoing project that seeks to pursue a field of enquiry situating objects and process within the complexities of artistic production and reception. To emulate the plurality of situations where artistic discourse may arise, this project calls attention to less tangible structures immanent in the creation of an artwork by adopting the multiple platforms of an exhibition, dialogue sessions, and an online repository of interviews and essays. The exhibition, as one part of a greater whole, examines these conditions by looking at the practice of three artists – Amanda Heng, Chun Kaifeng and Matthew Ngui.
Curated by: Bernice Ong, Samantha Yap, Kenneth Loe and Melvin Tan.

Shubigi Rao: Exquisite Corpse combines a selection of Shubigi Rao's work with items from her personal library, and material that has never been exhibited publicly. "Waste", in Rao's work — as a material presence, underlying poetic logic, and anxiety — becomes a way of framing her oeuvre and process, and forms the exhibition's curatorial provocation. At once a kind of monologue and dialogue, a coded silence, and a cacophonic game of cadavre exquis, Shubigi Rao: Exquisite Corpse invites the entanglement of old and new voices as audiences engage in the exhibition's premise of intertextuality, spectrality, hidden layers, and remainders.
Curated by: Luca Lum, Raksha Mahtani and Chua Ying Qing.

Pictureshow seeks to spotlight the act of looking as the primal means of perception and knowledge acquisition. Assembling works and materials which have since grown distant from the stability of the canvas, the painting, and the two-dimensional that the word picture is so comfortably associated with, this exhibition asks: How has the relationship between artistic expression and the pictorial mode evolved over time? By unhinging the habitual mode of seeing a picture with works and materials that generate their own definitions about representation, Pictureshow contemplates the image as mediator in the relationship between artistic production and consumption. The exhibition features the works and materials of Chun Kaifeng, Kim Lim, Matthew Ngui and Song-Ming Ang.
Curated by: Selene Yap, Cheng Jia Yun, Euginia Tan and Wong Yeang Cherng.


Photos | Exhibition Opening

Photos | Gallery Impressions

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